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Concerto for Viola and Orchestra
Sheetmusic to print
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Concerto for Viola and Orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.809800 Composed by Robert E. Pr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.809800 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 140 pages. R. E. Proctor #3097177. Published by R. E. Proctor (A0.809800). The Concerto in C Major for Viola and Orchestra a new composition for the viola. Interesting and challenging, it invites the soloist to explore the range of the instrument, it invites the audience to appreciate the varied tonalities of the instrument and it’s capabilities. Each movement provides interesting twists and turns for both the players and the audience. Written in the key of C to take advantage of the viola’s entire range. At approximately 13 minutes and 30 seconds this work will easily fit into any program adding a delightful contrast to anything else in the concert!
$19.95
18.61 €
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Orchestra
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Robert E
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Concerto for Viola and Orchestra
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R. E. Proctor
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SheetMusicPlus
Concerto for Viola and orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1175939 Composed by Gabriel Yud…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1175939 Composed by Gabriel Yudenich. 20th Century,Contemporary,Multicultural,World. Score and parts. 115 pages. Gabriel Yudenich #776065. Published by Gabriel Yudenich (A0.1175939). Concerto for Viola and orchestraComposition of Gabriel YudenichOrquestration:- Piccolo (1)- Flute (2)- Oboe (1)- Clarinet Bb (2)- Basson (2)- Horn F (4)- Trombone (1)- Tuba (1)- Percussion: Timpani, Snare Drum, Bass Drum, Cymbal and Tam-Tam- Harp (optional)- Viola (solist)Strings: - Violin I (min. 3)- Violin II (min. 3)- Viola (min. 2)- Cello (min. 2)- Bass (min. 2)Version revised in 2023 by the composer
$50.00
46.65 €
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Orchestra
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Gabriel Yudenich
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Concerto for Viola and orchestra
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Gabriel Yudenich
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SheetMusicPlus
[Van de Vate] Concerto for Viola and Orchestra
Orchestra
Full Orchestra - Digital Download SKU: A0.953069 Composed by Nancy Van de vate. 20t…
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Full Orchestra - Digital Download SKU: A0.953069 Composed by Nancy Van de vate. 20th Century. Score and parts. 41 pages. American Composers Alliance Inc. #4635441. Published by American Composers Alliance Inc. (A0.953069). Scored for viola and large orchestra - instrumentation: 3(3+picc)3(3+EH)3(3+bcl)3(3+cbsn) - 433(3=btbn)1 - timp, 3 perc, pno, hp, cel - solo viola - strings.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$25.95
24.21 €
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Orchestra
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Nancy Van de vate
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[Van de Vate] Concerto for Viola and Orchestra
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American Composers Alliance Inc.
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SheetMusicPlus
Telemann – Flute Concerto in D Major TWV 51:D2 (Score and parts in PDF)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.890769 Composed by Georg Phi…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.890769 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 40 pages. Sneakwood Editions #4781037. Published by Sneakwood Editions (A0.890769). We present a well reseached edition of the Telemann´s concerto for flute and orchestra contained in the manuscript of the Universitäts- und Landesbibliothek, Darmstadt (D-DS): Mus.ms.1033-39.We have maintained the original annotations clearly indicating the cases in which they can be interpreted in another way. The resulting edition can be used directly for its interpretation both by specialists in early music and by any musician who wants to approach this beautiful work.Edition based on (D-DS): Mus.ms.1033-39Score (19 pages) and Parts (friendly performance edition): Flute, Violin I, Violin II, Violin III, Viola and Basso.www.snakewoodeditions.com
$18.00
16.79 €
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Chamber Orchestra
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Georg Philipp Telemann
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Telemann – Flute Concerto in D Major TWV 51:D2
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Sneakwood Editions
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SheetMusicPlus
O Come, O Come, Emmanuel for String Trio
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1324217 Compose…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1324217 Composed by Traditional. Arranged by James M. Guthrie. Advent,Chamber,Christian,Christmas,Historic. 6 pages. Jmsgu3 #912326. Published by jmsgu3 (A0.1324217). Veni, Veni, Emmanuel, also known as O Come, O Come, Emmanuel, is a Christian hymn for Advent. Here are some interesting facts about it:Ancient Origins: The hymn synthesizes the great, ancient O Antiphons sung for Vespers during Advent.Tune and Translation: The familiar tune, Veni Emmanuel, was first linked with this hymn in 1851, when Thomas Helmore published it in the Hymnal Noted, paired with an early revision of Neale's English translation.Variations: While the Veni Emmanuel tune predominates in the English-speaking world, several others have been closely associated with the hymn.Concerto: Veni, Veni, Emmanuel is also the title of a concerto for percussion and orchestra by James MacMillan, the most frequently performed concerto composed in the 1990s.Significance: The hymn is significant for its ancient origins, its association with the Advent season, and its musical adaptations, including a notable concerto by James MacMillan.These facts highlight the hymn's rich history, musical significance, and enduring popularity.
$24.95
23.28 €
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String Trio: violin, viola, cello
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Traditional
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O Come, O Come, Emmanuel for String Trio
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jmsgu3
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SheetMusicPlus
Concerto for Viola, String Orchestra, and Percussion; reduction for Viola and Piano.
Viola, Piano
Instrumental Duet Instrumental Duet,Piano,Viola - Level 5 - Digital Download SKU: A0.10…
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Instrumental Duet Instrumental Duet,Piano,Viola - Level 5 - Digital Download SKU: A0.1009962 Composed by Jose Manuel Lezcano. Contemporary,Latin. Score and parts. 45 pages. Jose Manuel Lezcano #17997. Published by Jose Manuel Lezcano (A0.1009962). A concerto for Viola, String Orchestra, and Percussion. The composer's reduction for Viola and Piano. Composed for Brett Deubner and premiered by him with Astoria Symphony (NY) in 2007. Also received its South American premiere with Mr. Deubner and the National Symphony of Ecuador.
$30.00
27.99 €
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Viola, Piano
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Jose Manuel Lezcano
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Concerto for Viola, String Orchestra, and Percussion; reduction for Viola and Piano.
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Jose Manuel Lezcano
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SheetMusicPlus
The Fiddle Concerto (violin solo part – violin and symphony orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861946 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861946 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6208695. Published by Mark O'Connor Musik International (A0.861946). The Fiddle Concerto (violin solo part – violin and symphony orchestra) MO120BViolin Solo Part (score and parts available)Music by Mark O’Connor19 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120BCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
18.66 €
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Orchestra
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Concerto for Violoncello and Orchestra
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1096542 Composed by Robert Schumann. Arranged by Jacob Mashak. 19th Century,Chamber,Classical,Romantic Period. 117 pages. Editions d'Ys #700524. Published by Editions d'Ys (A0.1096542). Arrangement for solo Violoncello and String Quartet. A much more concerto-like experience than playing with piano. Solo part is not included, please use a standard, commercially available edition.
$45.00
41.99 €
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String Quartet: 2 violins, viola, cello
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Robert Schumann
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Concerto for Violoncello and Orchestra
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Editions d'Ys
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SheetMusicPlus
Concerto for Violoncello and Orchestra
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1096303 Composed by Edward Elgar. Arranged by Jacob Mashak. 19th Century,Chamber,Classical,Romantic Period. 126 pages. Editions d'Ys #700267. Published by Editions d'Ys (A0.1096303). Arrangement for solo Violoncello and String Quartet. A much more concerto-like experience than playing with piano. Solo part is not included, please use a standard, commercially available edition.
$45.00
41.99 €
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String Quartet: 2 violins, viola, cello
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Edward Elgar
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Concerto for Violoncello and Orchestra
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Editions d'Ys
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SheetMusicPlus
Concerto for Viola and Strings in D Major
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1149695 By Alex Tinlin. By Ch…
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String Orchestra - Level 4 - Digital Download SKU: A0.1149695 By Alex Tinlin. By Christoph Graupner. Arranged by Alex Tinlin. Baroque,Classical. Score and parts. 67 pages. Alex Tinlin #749853. Published by Alex Tinlin (A0.1149695). An arrangement for Standard Viola of a concerto originally for Viola d'amore and Strings. Continuo realisation by Alex Tinlin.
$5.99
5.59 €
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String Orchestra
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Alex Tinlin
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Concerto for Viola and Strings in D Major
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Alex Tinlin
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SheetMusicPlus
Concerto
Viola and orchestra
For viola and string orchestra. Composed by Peteris Vasks (1946-). This edition: pia…
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For viola and string orchestra. Composed by Peteris Vasks (1946-). This edition: piano reduction with solo part. Downloadable. Duration 35 minutes. Schott Music - Digital #Q54004. Published by Schott Music - Digital
Peteris .Vasks supports the solo part with a string orchestra accompaniment, employing a warm, sonorous tone that is particularly effective during the slow movements. The two central movements pose exciting technical challenges as the soloist is confronted with extended cadenzas in the 'Allegro moderato' and the following 'Andante'. The rhythmically dominated fast movement is demanding for the soloist who plays in almost uninterrupted polyphony.
$40.99
38.24 €
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Viola and orchestra
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Peteris Vasks
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Concerto
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Schott Music - Digital
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SheetMusicPlus
The Fiddle Concerto (string parts – violin and symphony orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861951 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861951 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Mark O'Connor Musik International #6208705. Published by Mark O'Connor Musik International (A0.861951). The Fiddle Concerto (string parts – violin and symphony orchestra) MO120P-UString Parts (score and parts available)Music by Mark O’Connor157 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120P-UCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$75.00
69.98 €
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Orchestra
#
Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
The Fiddle Concerto (wind parts – violin and symphony orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861947 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861947 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 111 pages. Mark O'Connor Musik International #6208697. Published by Mark O'Connor Musik International (A0.861947). The Fiddle Concerto (wind parts – violin and symphony orchestra) MO120C-HWind Parts (score and parts available)Music by Mark O’Connor111 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120C-HCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$75.00
69.98 €
#
Orchestra
#
Mark O'Connor
#
The Fiddle Concerto
#
Mark O'Connor Musik International
#
SheetMusicPlus
The Fiddle Concerto (brass parts – violin and symphony orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861948 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861948 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 81 pages. Mark O'Connor Musik International #6208701. Published by Mark O'Connor Musik International (A0.861948). The Fiddle Concerto (brass parts – violin and symphony orchestra) MO120I-MBrass Parts (score and parts available)Music by Mark O’Connor81 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120I-MCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$75.00
69.98 €
#
Orchestra
#
Mark O'Connor
#
The Fiddle Concerto
#
Mark O'Connor Musik International
#
SheetMusicPlus
Concerto in G Major (from the Concerto for Two Mandolins): Viola
By Antonio Vivaldi (1678-1741). Arranged by Thomas P. LaJoie. For String Orchestra. Classi…
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By Antonio Vivaldi (1678-1741). Arranged by Thomas P. LaJoie. For String Orchestra. Classical. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$5.99
5.59 €
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Antonio Vivaldi
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Concerto in G Major
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Fiddle Concerto (percussion parts – violin and symphony orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861949 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861949 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208703. Published by Mark O'Connor Musik International (A0.861949). The Fiddle Concerto (percussion parts – violin and symphony orchestra) MO120N-OPercussion Parts (score and parts available)Music by Mark O’Connor34 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120N-OCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$40.00
37.32 €
#
Orchestra
#
Mark O'Connor
#
The Fiddle Concerto
#
Mark O'Connor Musik International
#
SheetMusicPlus
Vieuxtemps - Elégie for Viola and Orchestra, Op. 30 (New Orchestration!) SCORE AND PARTS
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.826942 Composed by Henri Vieuxt…
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Full Orchestra - Level 4 - Digital Download SKU: A0.826942 Composed by Henri Vieuxtemps. Arranged by Amnael Orozco-Díaz. Romantic Period. Score and parts. 63 pages. Amnael Orozco-Diaz #5777181. Published by Amnael Orozco-Diaz (A0.826942). Henri Vieuxtemps is one of the long list of composers who did not leave behind a Viola Concerto - not even a small piece for viola and orchestra. This Elégie is a faithful workhorse on viola recitals. This new orchestration takes this beloved, intimate piece to the exciting vouyerism of the orchestral hall. This item inclues a full score, and a set of orchestral parts.Contact us at facebook.com/HouseOfLilithMusic for comments and requests!
$34.57
32.25 €
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Orchestra
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Henri Vieuxtemps
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Vieuxtemps - Elégie for Viola and Orchestra, Op. 30
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Amnael Orozco-Diaz
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SheetMusicPlus
Conversation Concerto No.4 for viola and orchestra [score only]
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.938496 Composed by Colin Baylis…
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Full Orchestra - Level 4 - Digital Download SKU: A0.938496 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 51 pages. Colin Bayliss #41481. Published by Colin Bayliss (A0.938496). One of a series of ten modern but relatively easy concertos.
$10.00
9.33 €
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Orchestra
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Colin Bayliss
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Conversation Concerto No.4 for viola and orchestra [score only]
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Colin Bayliss
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SheetMusicPlus
ADAGIO - J.M. Leclair - Arr. for String quartet - With parts
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Digital Download SKU: A0.724483 Composed by Jean Ma…
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String Quartet String Quartet - Digital Download SKU: A0.724483 Composed by Jean Marie Leclair. Arranged by Renato Tagliabue. Classical. Score and parts. 8 pages. Renato Tagliabue #4280757. Published by Renato Tagliabue (A0.724483). From Concerto for Violin and Orchestra.
$14.90
13.9 €
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String Quartet: 2 violins, viola, cello
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Jean Marie Leclair
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ADAGIO - J.M. Leclair - Arr. for String quartet - With parts
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Renato Tagliabue
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SheetMusicPlus
Concerto for Violoncello and Orchestra
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1096302 Composed by Antonin Dvorak. Arranged by Jacob Mashak. 19th Century,Chamber,Classical,Romantic Period. 204 pages. Editions d'Ys #700266. Published by Editions d'Ys (A0.1096302). Arrangement for solo Violoncello and String Quartet. A much more concerto-like experience than playing with piano.
$45.00
41.99 €
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String Quartet: 2 violins, viola, cello
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Antonin Dvorak
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Concerto for Violoncello and Orchestra
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Editions d'Ys
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SheetMusicPlus
Conversation Concerto No.4 for viola and orchestra [set of parts]
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.938497 Composed by Colin Baylis…
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Full Orchestra - Level 4 - Digital Download SKU: A0.938497 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 49 pages. Colin Bayliss #41483. Published by Colin Bayliss (A0.938497).
$60.00
55.98 €
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Orchestra
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Colin Bayliss
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Conversation Concerto No.4 for viola and orchestra [set of parts]
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Colin Bayliss
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SheetMusicPlus
[Melby] Concerto No. 3 for Viola and Orchestra
Orchestra
Full Orchestra - Digital Download SKU: A0.952801 Composed by John Melby. Contempora…
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Full Orchestra - Digital Download SKU: A0.952801 Composed by John Melby. Contemporary. Score and parts. 64 pages. American Composers Alliance Inc. #4623781. Published by American Composers Alliance Inc. (A0.952801). Instrumentation: 3(3=picc)3(3=EH)3(3=bcl)2 - 423(3=btbn)1 - Timp, 3 Perc, 2 Hps - solo amplified viola - strings.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$32.95
30.74 €
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Orchestra
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John Melby
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[Melby] Concerto No. 3 for Viola and Orchestra
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American Composers Alliance Inc.
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
22.38 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Rolla A - Variazioni Brillanti in F major Op.13 for Viola and Piano - Score and Part
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1295530 By Santino Cara. By Alessa…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1295530 By Santino Cara. By Alessandro Rolla. Arranged by Santino Cara. Romantic Period. Score and part. 34 pages. Santino Cara #885823. Published by Santino Cara (A0.1295530). Complete score and part of Fantasie Brillanti Op.13 Composed by Allessandro Rolla and dedicated to Francesco Spinola. Transcribed in Rome in 2020 by Santino Cara from Viola and orchestra.Movements: 1. Introduzione (Adagio ma non troppo in A flat major) - 2. Tema (andantino quasi allegro in F major) - Variation 1. (Moderato) - Variation 2. (Più mosso) - Variaton 3. (Adagetto espressivo) - Variation 4. (Tempo primo with Coda)Contact with the transcriber: cara.santinocara.santino@gmail.comOther Works for Viola and Piano:Handel-Casadesus - Viola Concerto in B minor for Viola and PianoJCBach-Casadesus - Viola Concerto in C minor for Viola and PianoSchumann - Märchenbilder Op.113 - Four Pieces for Viola and PianoCara S - Adagio in B minor for Viola and PianoKalliwoda – Six Nocturnes Op.186 for Viola and Piano – Scores and PartRolla A - Divertimento in F major BI 330 - for Viola and Piano - Score and PartTelemann - Viola Concerto in D major TWV 51D1 for Viola and PianoTelemann - Ouverture (Suite) in D major TWV 55-D6 for Viola and PianoTelemann - Viola Concerto in G major TWV 51-G9 for Viola and and PianoTelemann - Sonata in E minor TWV 41-e5 for Viola da Gamba and PianoVivaldi - Six Viola Concertos for Viola and Piano - Complete Scores and Part
$18.60
17.35 €
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Viola, Piano
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Santino Cara
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Allessandro Rolla and
dedicated to Francesco Spinola
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Rolla A - Variazioni Brillanti in F major Op.13 for Viola and Piano - Score and Part
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Santino Cara
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SheetMusicPlus
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (violin solo part – violin and symph
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861954 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861954 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 30 pages. Mark O'Connor Musik International #6209339. Published by Mark O'Connor Musik International (A0.861954). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (violin solo part – violin and symphony orchestra) MO152BViolin Solo Part (score and parts available)Music by Mark O’Connor26 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152BCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
18.66 €
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Orchestra
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Orchestra "Violin Concerto No. 2"
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Mark O'Connor Musik International
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SheetMusicPlus
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